The Dark Knight 2008 BluRay 2160p DV HYBRID Remux HDR10+ HEVC DTS-HD MA 5 1-DepraveD
Batman, Gordon and Harvey Dent are forced to deal with the chaos unleashed by an anarchist mastermind known only as the Joker, as it drives each of them to their limits.
Year: 2008
Duration: 152 min
Release date: Friday 18th July 2008
Genre: Action, Crime, Thriller
Rating
8.9/10
(477719 Votes)
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Your Rating
Stars:
Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine
GENERAL INFO
SOURCE (Base Layer) : The Dark Knight 2008 2160p Bluray Remux FraMeSToR (Thanks! ^_^)
SOURCE (DV) : The Dark Knight 2008 2160p WEB-DL DV PiRaTeS (Thanks! ^_^)
SOURCE (HDR10+) : HDR10+ Generated with Official Algorithms in Resolve
FORMAT : MKV (Matroska)
SIZE : 54.9 GiB
OVERALL BIT RATE : 51.7 Mb/s
DURATION : 2 h 32 min
VIDEO
CODEC : HEVC
RESOLUTION : 3840 x 2160
FORMAT PROFILE : Main 10@L5.1@High
HDR FORMAT : Dolby Vision dvhe.08.06 BL+RPU | HDR10+ Profile B | HDR10
BITRATE : 47.1 Mb/s
MASTERING DISPLAY : Display P3 | Luminance min: 0.0050 cd/m2, max: 4000 cd/m2
AUDIO (1)
FORMAT : DTS-HD Master Audio
TITLE : DTS-HD MA 5.1
LANGUAGE : English
CHANNEL(S) : 5.1
BITRATE : 3 814 kb/s
COMPRESSION : Lossless | 4.06 GiB
AUDIO (2)
FORMAT : Dolby Digital
TITLE : AC-3 5.1 (Compatibility Track)
LANGUAGE : English
CHANNEL(S) : 5.1
BITRATE : 640 kb/s
COMPRESSION : Lossy | 697 MiB
SUBTITLES
English (SDH) | French | Chinese (Mandarin Simplified) | Spanish (Latin American) | Portuguese (Brazilian) | Thai
NOTES
Reason for making: Flights' version has no L5 metadata. This version has the appropriate, dynamic L5 to account for changing aspect ratio. JennaOrtegaUHD's version used Resolve to generate DV, which is nice when no studio DV is available, but these movies have compatible WEB-DL DV for a hybrid. I always prefer studio DV if possible. Also generated HDR10+.
HDR10+ generating process: HEVC stream was extracted from the source MKV, converted to prores 422HQ (qscale=3), and imported into Davinci Resolve Studio 18.6. Scenes were detected in Resolve. Mastering Display setting was matched to the Base Layer (4000-nit, P3). Output blanking was adjusted to match the IMAX sceneds appropriately (bounced back and forth bewteen 2.40 and 1.78 aspect ratio). HDR10+ analyzed in Resolve and exported. HDR10+ injected into base layer source.
The Bluray and Web source were frame matched (Web-DL was 48 frames behind the BluRay), and DV MaxCLL and Mastering Display metadata were confirmed similar to the Bluray. Web DV extracted, frames synced, L5 metadata adjusted to match the IMAX scenes appropriately. DV injected into the Bluray, and remuxed with audio/subs.
AC-3 (Compatibility Track) was generated with EAC3to from the primary audio track.
