Fred Hersch Trio-Live At Jazz A Ramatuelle (2018-08-20)-DDC-1080p-h264-2018-gFViD

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| Fred Hersch Trio-Live At Jazz A Ramatuelle |
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| x264 DATE: 2024-09-15 SHOW DATE: 2018-08-20 |
| RUNTIME: 01:31:10 RESOLUTION: 1080p |
| SIZE: 3470,5 MB ARCHIVES: 75 x 50 MB |
| GENRE: Jazz SUBGENRE: Contemporary Jazz |
| URL: https://www.discogs.com/artist/334552 |
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| SOURCE: DDC FORMAT: h264 CHAPTERS: [ ] |
| CODEC: x264 core 148 |
| BITRATE: 4 997.44 kbps untouched |
| SPECT: 1920 x 1080 (16:9) at 25.000 fps |
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| AUDIO: AAC LC 320 kps untouched |
| INFOS: 2 channels, 48.0 kHz |
| LANGUAGE: english |
| SUBS: [ ]eng [ ]ger [ ]fr |
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_|_____________ ___ __ _T R A C K LiST_ __ ___ _____________|_
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| Fred Hersch, Plainsong |
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| Fred Hersch, Havana |
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| Fred Hersch, Dream of Monk |
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| Fred Hersch, Sad Poet |
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| Richard Rodgers/Oscar Hammerstein II, A cockeyed |
| optimist |
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| John Lennon/Paul McCartney, For No One |
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| Fred Hersch, Snape Maltings |
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| Fred Hersch, Bristol Fog (For John Taylor) |
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| Fred Hersch, Newklypso (For Sonny Rollins) |
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| Thelonious Monk/Bobby McFerrin/Herbie Hancock, Round |
| Midnight |
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| Thelonious Monk, We See |
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| Billy Joel, And So It Goes |
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| Fred Hersch, The Sphinx |
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_|_____________ ___ __ _ N O T E S _ __ ___ _____________|_
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| Cast |
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| Fred Hersch - Pianist |
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| John Hebert - Double bassist |
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| Eric Mc Pherson - Drummer |
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| In this work of sensitivity and skill worthy of Bill |
| Evans, by whom he was strongly inspired from the dawn of |
| his career, pianist Fred Hersch, accompanied by John |
| Hebert on double bass and Eric McPherson on drums, pays |
| homage to the greatest names in jazz and pop with an |
| elegant and uncluttered concert during the 2018 edition |
| of Jazz a Ramatuelle. Hersch is one of the most |
| prominent pianists in jazz history, as evidenced by his |
| collaborations with Stan Getz or Charlie Haden, as well |
| as his teaching experiences at the prestigious Berklee |
| School of Music. Here is a trio of masters, which |
| attests to a level of exceptional virtuosity, adjusted |
| by a sober and chiseled playing down to the smallest |
| breath. |
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| To grasp the extent of his work and determination, we |
| must recall the difficulties he faced when he had to |
| overcome seropositivity, for which he was diagnosed at |
| the end of the 1980s. His illness did not prevent him |
| from continuing to build the landscape of contemporary |
| jazz and, as a true artist, to use it as a vehicle for |
| his creativity during a show released in 2014, titled My |
| Coma Dreams. It recounts, through aerial poetry, the |
| eight dreams he had during a coma triggered in 2008 by |
| his medical situation. Still active today, he notably |
| released a magnificent album in 2017, Open Book, in |
| which he produced for the first time an incredible |
| fifteen-minute improvisation, a memorable work from the |
| first note to the last. |
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| Recorded on 2018, 20th August - Live At Jazz A |
| Ramatuelle, Ramatuelle (France) |
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| Directed by: Amos Rozenberg |
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bHe/____________________________\ /____________________________\sE!
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