Paris Texas 1984 UHD BluRay Remux 2160p DV HDR HEVC FLAC 2 0-ZQ
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A...
Year: 1984
Duration: 147 min
Release date: Wednesday 19th September 1984
Genre: Drama
Rating
8.1/10
(35299 Votes)
0
Your Rating
Stars:
Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Sam Berry
Paris.Texas.1984.UHD.BluRay.Remux.2160p.DV.HDR.HEVC.FLAC.2.0-ZQ
---GENERAL----
SIZE............: 86.4 GiB
RUNTIME.........: 2 h 26 min
---VIDEO----
Codec...........: HEVC, Main 10@L5.1@High Dolby Vision, Version 1.0, Profile 7.6, dvhe.07.06, BL+EL+RPU,
no metadata compression,
Blu-ray compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible
Resolution......: 3840x2160
Bit rate........: 77.2 Mb/s
Frame rate......: 24.000 FPS
Color primaries.: BT.2020
---AUDIO----
Format..........: FLAC
Channels........: 2
Sample rate.....: 48.0 kHz
Bit rate........: 542 kb/s
Language........: English (Unfiltered Dual Mono Mix / FLAC Audio / 2.0 / 48 kHz / 542 kbps / 16-bit)
---AUDIO (#2)----
Format..........: FLAC
Channels........: 2
Sample rate.....: 48.0 kHz
Bit rate........: 1,115 kb/s
Language........: English (Filtered Dual Mono Mix / FLAC Audio / 2.0 / 48 kHz / 1115 kbps / 24-bit)
---AUDIO (#3)----
Format..........: DTS-HD Master Audio
Channels........: 6
Sample rate.....: 48.0 kHz
Bit rate........: 3,711 kb/s
Language........: English (Surround Upmix / DTS-HD Master Audio / 5.1 / 48 kHz / 3711 kbps / 24-bit)
---AUDIO (#4)----
Format..........: FLAC
Channels........: 2
Sample rate.....: 48.0 kHz
Bit rate........: 510 kb/s
Language........: English (Commentary by director Wim Wenders)
---AUDIO (#5)----
Format..........: FLAC
Channels........: 2
Sample rate.....: 48.0 kHz
Bit rate........: 1,120 kb/s
Language........: German (German Commentary by director Wim Wenders)
SUBTITLES.......: English (US)
SUBTITLES.......: English (US) SDH (US)
SUBTITLES.......: English (US) SDH (US)
SUBTITLES.......: English (GB) SDH (UK)
SUBTITLES.......: Mandarin (Hans) Mandarin Chinese (Simplified)
SUBTITLES.......: Danish
SUBTITLES.......: Finnish
SUBTITLES.......: French (FR) French (Parisian)
SUBTITLES.......: French (FR) French (Parisian)
SUBTITLES.......: German
SUBTITLES.......: German
SUBTITLES.......: Italian
SUBTITLES.......: Italian
SUBTITLES.......: Norwegian
SUBTITLES.......: Portuguese (BR) Portuguese (Brazilian)
SUBTITLES.......: Spanish (ES) Spanish (Castilian)
SUBTITLES.......: Spanish (ES) Spanish (Castilian)
SUBTITLES.......: Swedish
SUBTITLES.......: Turkish
SUBTITLES.......: Spanish (Latin America) Spanish (Latin American)
SUBTITLES.......: English (US) English (English Commentary)
SUBTITLES.......: Italian (English Commentary)
SUBTITLES.......: Spanish (ES) Spanish (Castilian) (English Commentary)
Chapters........: Named
Release Information:
[*] Video demuxed from source 1
[*] Unfiltered dual mono Dolby Digital 2.0 mix synced from source 8 and encoded to FLAC; filtered dual mono LPCM 2.0 audio demuxed from source 1 and encoded to FLAC
[*] DTS-HD MA 5.1 upmix synced from source 4
[*] LPCM 2.0 English commentary audio synced from source 7 and encoded to FLAC; DTS-HD MA 2.0 German commentary synced from source 4 and encoded to FLAC
[*] English (US / SDH) subtitles OCR'd, spellchecked, synced from source 2, and tonemapped; English (UK / SDH) subtitles demuxed from source 1; Mandarin Chinese (Simplified) subtitles synced from source 5 and tonemapped; French (Parisian) subtitles synced from source 3; German subtitles synced from source 4 and tonemapped; Italian (main film and English commentary) subtitles synced from source 6 and tonemapped; Spanish (Castilian / main film and English commentary) subtitles synced from source 7 and tonemapped
[*] English (English Commentary), Danish, Finnish, French (Parisian), German, Italian, Norwegian, Portuguese (Brazilian), Spanish (Castilian), Spanish (Latin American), Swedish, and Turkish text subtitles synced from iTunes, MUBI, and Criterion Channel (thanks vevv!)
[*] Named chapters synced synced from source 4 and adjusted to the nearest matching I- or P-frames
[*] Source 1: Paris Texas 1984 2160p GBR UHD Blu-ray DV HDR HEVC LPCM 2.0-TMT - Curzon Film World | GBR (2024) (Thanks!)
[*] Source 2: Paris Texas 1984 2160p USA UHD Blu-ray DV HDR HEVC DTS-HD MA 5.1-JUNGLiST - The Criterion Collection | USA (2024) (Thanks!)
[*] Source 3: Paris Texas 1984 2160p FRA UHD Blu-ray DV HDR HEVC DTS-HD MA 5.1-PIXELPOLICE - Carlotta Films | FRA (2024) (Thanks!)
[*] Source 4: Paris Texas REMASTERED 1984 MULTi COMPLETE BLURAY-OLDHAM - Arthaus / StudioCanal | GER (2019) (Thanks!)
[*] Source 5: Paris Texas 1984 1080p CHN Blu-ray AVC DTS-HD MA 5.1-PTer - Disk Kino | CHN (2021) (Thanks!)
[*] Source 6: Paris Texas 1984 1080p ITA Blu-ray AVC TrueHD 5.1-DDN - Ripley's Home Video | ITA (2011) (Thanks!)
[*] Source 7: Paris Texas 1984 1080p ESP Blu-ray AVC DTS-HD MA 5.1-MACHETEKILLS - A Contracorriente Films | ESP (2015) (Thanks!)
[*] Source 8: Paris Texas 1984 R5 PAL DVD9 - Carmen Video | RUS (2007) (Thanks!)
Release Notes:
Used video from the GBR UHD as it had slightly better quality than the FRA UHD in some select scenes, in particular having better compression in dark parts of the frame. For the most part, the GBR and FRA have very similar video quality. The USA UHD has very poor BL compression and is clearly worse than the GBR and FRA when just comparing the BL. With the FEL baked, however, the USA is often better than both the GBR and FRA. The GER UHD is the worst of the four and has very poor compression. Because of the very low BL bitrate (42.2 Mbps) on the GER, I didn't bother baking the FEL (10.9 Mbps) for the comparison. For audio, the Dolby Digital 2.0 track from the R5 PAL DVD9 released by Carmen Video was preferred as it offered the same dialogue clarity as the 1989 Fox LaserDisc/new LPCM 2.0 track on GBR while having diegetic noise and other ambient noise less muffled. At matched loudness levels, the DVD 2.0 track offers improved clarity for sounds like rain, thunder, footsteps, clacking plates, shutting doors, and other ambient sounds. The tradeoff is that the DVD 2.0 is much noisier, varying scene by scene, so the new LPCM 2.0 track from the GBR was used for a "e;filtered"e; option as it sounds identical to the LD. In my opinion, music also sounds better and less muffled on the DVD 2.0, but this is less obvious than the improvement in audibility of diegetic sounds. The two mixes are left as 2.0 despite ostensibly being transfers of the original mono mag track as they are not true dual mono after inversion, but when listening it's clear that it is a transfer of a mono mix instead of a stereo remix. For 5.1, the upmix included with the older master was preferred to the new 5.1 mix (which is a slightly remixed transfer of the original mono mag track) as the two 2.0 options make inclusion of the new 5.1 redundant; the older 5.1 is a much more aggressive remixing. Lossless commentary from the ESP BD was included and preferred to the lossy DTS 2.0 & DD 2.0 on the new and old GBR releases, respectively. All audio and sub tracks from the older master (ITA, ESP) were edited to account for the missing 4 frames before the scene change at 38:50. All subtitle tonemapping was done with SupMover to match the hex code of the GBR UHD subtitles (#a7a7a7) and checked after with a color picker.
Video comparison (FRA vs. GBR vs. USA vs. GER): https://slow.pics/c/kFqFzKQv
