sound DUST Infundibulum 2 KONTAKT-DECiBEL

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ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

RLSNAME......: sound.DUST.Infundibulum.2.KONTAKT-DECiBEL
RELEASE #....: 1049
PACKAGER.....: DECiBEL
FORMAT/TYPE..: KONTAKT
DATE.........: 7 Apr 2020
SiZE.........: 10 x 400MB
URL:.........: https://bit.ly/39SrZtg

ÍÍ RELEASE iNFO ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

The second in the devious Sound Dust series of multi-arp workstations. A gloriously
grimey playground of poly rhythmical possibilities with an open door policy for
unexpected artifacts and happenstance.

INFUNDIBULUM#2 - takes the polyrhythmic cascades of sound, strange interlocking
tremolos and beautiful warped loopings of her big sister into bigger bolder
territories - great for organic and gorgeous pseudo orchestras, wibbly wobbly dust
pads, muscular Michael Nyman swoon and epic thrusting cinematica.

INFUNDIBULUM#2 is packed with 4GB of bowed, sung, spun, plucked, stretched, teased and
blown things that have been squashed through tape, vinyl, springs and valves for the
character and audio patina of a life well lived.

INFUNDIBULUM#2 is not intended to authentically replicate any of the sounds included,
some have been deeply multi sampled and others are deliberately stretched across a
wider keyspan than is sensible. The samples all have very obvious loop points. The
whole point of Infundibulum is to embrace and celebrate the artifacts that occur when
sampling goes too far. Hold a chord, any chord and you will hear the different notes
start to cycle back on themselves in disjointed but glorious ways that you will never
hear from a gazillion gigabyte hypersampled piano, crumhorn or orchestral calabash.
Then add in the amazing multi-arp, 3 sounds repeating through different length cycles
at different speeds and you are half way to an out of body experience.

The SAMPLED INSTRUMENTS...
Dust piano, Lowry organ, Winfield organ, many many electric guitars, household paint
brush, violin played by a proper violinist, trumpet played by an improper trumper,
concert whirly tubes, Jecklin disc, 4 track cassette recorder, taut wires, Sherman
Filterbank, spring reverbs, Space Echo, Roland SH101, Hammond Organ, a singing human,
ribbon mics and broken electrics, guitar pedals set to 11, harmonica, recorders
(school not tape this time), Moog theremin, many modular modules, Clouds, Strymon Big
Sky and Deco, Roger Linn Adrenalinn 3, homemade guitars, electric milk whisk and
homemade pickups...

Whats Inside ?
1 Kontakt .nki instrument
230 themed snapshots...but Infundibulum is all about tweaking really, these will just
get you in the ballpark
3.1GB download (from 4GB compressed files)

The MULTI-ARP
3 independant multifunction arp contraptions with gate, chord and 10 other arp modes
Adjustable step lengths from 1 to 64 per multi-arp
Adjustable step rate from 1/128 to whole note with triplet variations plus modem,
geiger and meltdown modes per multi-arp
Swing, offset, decay and pitch control per multi-arp

The ENGINE...
3 sample oscillators each with 20 mutlisampled sample sets
Sample start, loop start and loop length control per oscillator
Pan and autopan control per oscillator
Volume attack, decay, sustain and release control per oscillator
Distortion module with drive, damp, tube or transistor, bit and sample rate reduction
per oscillator
Low pass and high pass filters
Vibrato rate and amount control per oscillator
Chorus rate and amount control per oscillator
Convolution reverb with 24 bespoke IRs per oscillator
Delay send control per oscillator

ARP Recorder...
Drag & drop midi file recorder grabs single and multi channel output from the
multi-arp that can be loaded back into a new DAW track

INSERT effects
Tape saturation and bit reducution,
Solid G equaliser
Rotor speaker
Algorithmic reverb

SEND effects
Tempo synced delay
Algorithmic reverb

ÍÍ iNSTALL NOTES ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

1. Extract.
2. Enjoy.
3. Support the developer!!!

ÍÍ RELEASE NOTES ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

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ÍÍ GROUP NOTES ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

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ÍÍ GREETS ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

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