Bad Times at the El Royale 2018 BluRay 2160p Remux DV HDR10+ HEVC Atmos 7 1-DepraveD

added 2024-02-05

Add to My Dashboard

Request this item for download

50.7 GB

Seven strangers, each with a secret to bury, meet at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at...

Year: 2018
Duration: 141 min
Release date: Wednesday 7th November 2018
Genre: Mystery, Thriller

Rating

7.1/10
(107651 Votes)

0
    
Your Rating

Stars:
Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Chris Hemsworth, Cailee Spaeny, Lewis Pullman, Nick Offerman

GENERAL INFO
SOURCE (Base Layer/HDR10+): Bad Times at the El Royale 2018 UHD Bluray Remux FraMeSToR (Thanks! ^_^)
SOURCE (DV) : DV Generated with Official Algorithms in Resolve
FORMAT : MKV (Matroska)
SIZE : 50.7 GiB
OVERALL BIT RATE : 51.2 Mb/s
DURATION : 2 h 21 min

VIDEO
CODEC : HEVC
RESOLUTION : 3840 x 2160
FORMAT PROFILE : Main 10@L5.1@High
HDR FORMAT : Dolby Vision dvhe.08.06 BL+RPU | HDR10+ Profile A | HDR10
BITRATE : 46.0 Mb/s
MASTERING DISPLAY : Display P3 | Luminance min: 0.0050 cd/m2, max: 1000 cd/m2

AUDIO (1)
FORMAT : Dolby TrueHD with Dolby Atmos
TITLE : TrueHD Atmos 7.1
LANGUAGE : English
CHANNEL(S) : 7.1
BITRATE : 4 443 kb/s
COMPRESSION : Lossless | 4.40 GiB

AUDIO (2)
FORMAT : Dolby Digital
TITLE : AC-3 5.1 (Compatibility Track)
LANGUAGE : English
CHANNEL(S) : 5.1
BITRATE : 640 kb/s
COMPRESSION : Lossy | 648 MiB

SUBTITLES
English (SDH) | French | Spanish (Latin American)

NOTES
Reason for manually generating DV: The official studio DV released on the web is poor quality -- mostly static.

Studio release already included HDR10+ so I left it alone and injected the DV straight into the remux.

DV generating process: HEVC stream was extracted from the source MKV, converted to prores 422HQ (qscale=3), and imported into Davinci Resolve Studio 18.6. Scenes were detected in Resolve. Tuning analysis setting for DV algorithm was set to 1 (Most Highlight Detail/Most Mapping). Mastering Display setting was matched to the Base Layer (1000-nit, P3). Output blanking was set to match the 2.39 aspect ratio (T276/B276). DV (v4.0, P3-D65) analyzed in Resolve and exported. DV injected into base layer source and remuxed.