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Soundiron Montclarion Hall Grand Piano v2 0 KONTAKT-DECiBEL

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6.50 GB

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ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

RLSNAME......: Soundiron.Montclarion.Hall.Grand.Piano.v2.0.KONTAKT-DECiBEL
RELEASE #....: 764
PACKAGER.....: DECiBEL
FORMAT/TYPE..: KONTAKT
DATE.........: 20 Jan 2020
SiZE.........: 17 x 400MB
URL:.........: http://bit.ly/2Rc18Cv

ÍÍ RELEASE iNFO ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

The Montclarion Hall Grand Piano is a classic Steinway 1926 parlor grand that lives in
one of our favorite recording halls. We captured in wide stereo from three distinct
microphone distances (internal, external/mid and far/hall) to allow custom and
surround mixing and provide different ambient flavorings. It has a crisp, solid tone
ideal for classical composing, yet works equally well for soul, jazz, rock and pop.
But this 7+ GB library goes well beyond a simple classical grand piano library. It
also includes a wide selection of extended "e;prepared piano"e; and very useful creative
FX articulations, such as percussive pounds, slams, string scrapes, steel guitar
slides, mallet and pick glisses, sweeps, plucks and much more.

Originally released in 2010, the Montclarion Hall Piano was recorded in a steep
A-framed long hall in the hills above Oakland, CA. It's a place that truly resonates
with us, in the same space that Mars, Venus, Mercury and the Apocalypse Percussion
Ensemble were captured in, along with a whole host of former Tonehammer epic
percussion and choral libraries. It has lush, rich, clear, well-defined and balanced
natural acoustic reflections. In our ears, something about this magical room combined
perfectly with this piano, creating the right holistic balance. The true instrument
here is the piano and the hall together as one.

CONTENTS
We recorded in wide stereo from three distances. The close microphone pair is ideal
for more intimate scoring. The mid microphone is great for a larger acoustic live feel
and the far microphone has an incredibly dreamy texture to it. We also included a
selection of live sfx ambiences, abstract atmospheres and evolving soundscapes that
can accompany the piano in real-time, just to provide a bit of added inspiration.

We recorded sustains and release samples, as well as pedal sfx, bench, lid and sheet
music sounds. Then we popped the hood and went to work, capturing a decent selection
of sweeps, scrapes, glisses, rumbles and other effects. Then we pre-pared the piano
for a little special treatment, capturing 3 buzzy, resonant and raw tuned string
per-cussion sets. Finally, we decided to to a little bare-handed 3-man ensemble
percussion at the piano's expense.

- Grand Piano recorded at 3 microphone distances: Close (player perspective), Mid
(6m), Far (30m)
- 20 Sustain and release samples Natural pedal sfx recorded at multiple velocities
Full effects section
- 3 unique experimental prepared piano sets (tuned) Glisses, scrapes & sweeps piano
body percussion Player sfx
- 10 Ambient room tones, both from the hall itself and a variety of interesting
locations and environments
- 20 specially designed custom FX presets
- Includes a selection of 34 custom convolution reverb impulses.
- A full multi-effects rack, with EQ, filter, phaser, flanger, delay, distortion, amp
speaker simulation and more.

Product Specs
- 8.98 GB Installed
- 3,011 stereo samples
- 1 master NKI instrument bank in open Kontakt format
- 20 Custom Sound-Designed FX and Ambient presets
- 24-bit, 48 kHz Stereo PCM Wav Format: - Flexible and intuitive user interface controls with LFO, filter, glide, and
arpeggiator.
- Unlocked Kontakt presets and wav samples to allow user customization
- Includes a bonus collection of custom sound-designed ambiences, drones and special
FX presets, as well as our favorite custom convolution reverb impulses and an advanced
Kontakt user interface with full automation support.

ÍÍ iNSTALL NOTES ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

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ÍÍ GROUP NOTES ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

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