Trainspotting 1996 OAR 1080p BluRay DD+ 5 1 x264-WiLDCAT
Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.
Year: 1996
Duration: 94 min
Release date: Friday 19th July 1996
Genre: Crime, Drama
Rating
8.2/10
(154413 Votes)
0
Your Rating
Stars:
Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd
Trainspotting.1996.OAR.1080p.BluRay.DDP.5.1.x264-WiLDCAT.mkv
---GENERAL----
SIZE............: 17.2 GiB
RUNTIME.........: 1 h 33 min
---VIDEO----
Codec...........: AVC, High@L4.1
Resolution......: 1920x1040
Bit rate........: 24.6 Mb/s
Frame rate......: 23.976 FPS
Color primaries.: undefined -
---AUDIO----
Format..........: Dolby Digital Plus
Channels........: 6 CH
Sample rate.....: 48.0 kHz
Bit rate........: 1,280 kb/s
Language........: English (Enhanced Blu-ray Mix / Dolby Digital Plus / 5.1 / 48 kHz / 1280 kbps / DN -30dB)
---AUDIO (#2)----
Format..........: Dolby Digital
Channels........: 6 CH
Sample rate.....: 48.0 kHz
Bit rate........: 320 kb/s
Language........: English (Theatrical SRD Mix / Dolby Stereo Digital / 5.1 / 48 kHz / 320 kbps (35mm Bitrate))
---AUDIO (#3)----
Format..........: HE-AAC
Channels........: 2 CH
Sample rate.....: 48.0 kHz
Bit rate........: 58.7 kb/s
Language........: English (Commentary by director Danny Boyle, producer Andrew Macdonald, screenwriter John Hodge and actor Ewan McGregor)
SUBTITLES.......: English
SUBTITLES.......: English (SDH)
Chapters........: Yes
Source #1 = "e;Trainspotting.1996.Collectors.Edition.BluRay.1080p.DTS-HD.MA.5.1.AVC.REMUX-AdiT"e;
- Original AR, 16bit via 24bit Lossless 5.0 [In 5.1 Container], Commentary [From Criterion LD] and English SDH/Non-SDH Subs
- Thanks AdiT and Tux!
Source #2 = "e;Trainspotting DVD-9 1996 + EXTRAS"e;
- Original Dolby Stereo Digital 5.0 Mix [ Also In 5.1 Container] and for Named Chapters synced to above Collector's Edition Blu-ray
- Thanks to the disc uploader of this on another tracker!
x264 Summary :
x264 info: frame I:840 Avg QP:14.68 size:261078
x264 info: frame P:26620 Avg QP:15.71 size:162347
x264 info: frame B:107536 Avg QP:17.12 size:118504
x264 info: consecutive B-frames: 1.9% 2.3% 5.6% 6.3% 10.9% 61.4% 5.4% 1.9% 1.5% 1.5% 0.6% 0.2% 0.4%
x264 info: Weighted P-Frames: Y:13.5% UV:4.6%
x264 info: kb/s:24558.56
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Background on OAR BD Source and Addt'l Info on Audio Tracks :
I opted on using the Collectors Edition AdiT Blu-ray Remux mainly for 2 big reasons I could not overlook, it's 1) in the original flat widescreen 1.85:1 aspect ratio and not zoomed in and cropped to 1.78:1 like on the other primary BDs out there and 2) the color timing on this specific BD is vastly better and has the rich color and overtones Danny Boyle intended for the film. Especially as it wasn't meant to be depressing/sad film despite the living conditions and places/scenes depicted in it; he even eludes to this in the commentary. Those are 2 reasons why it was chose despite the grain, and perhaps detail being not quite as good as the other BD, but overall this OAR made up for it due to its strengths and better audio as well. The blacks and color as aforementioned are miles better on this Collectors Edition AVC encoded BD. The one pitfall of it is that they 1-pass CBR encoded it at ~35mb/s not ideal with the with finer detail and film grain not being quite as crisp as the other 1.78:1 cropped/blowup BDs as well as compression related artifacts. This CE version is quite nice and has a real film like quality, so the cropping/1.78:1 blow up, lack of good blacks, heavily desaturated color among issues on the other BDs IMHO makes this OAR source the better overall representation of the film.
Original SRD 5.0 also kept in the DVD source's 5.1 container formatting, in short this is for decoding optimization reasons due to how the lossy loudness/distribution algorithms work in a hardware DD decoder in consumer AV equipment, hence reason for not making it 5.0 after doing the optimization to that track prior to 35mm AC-3 formatting for historical accuracy. In the theater they derived a sub signal from the full range screen channels, which consumer AVRs do as well via bass management to feed a sub. The specialty filtering and quantization done raises the dialog clarity and perceived quality of the track to a quality level roughly between 448 and 512kbp/s. The Miramax logo audio from the CE BD was added to the beginning of the SRD track and EQ matched by ear so it has a matching retail like quality to the primary while syncing up. I also applied the same phase shift that the SRD 5.0 track has (for on the fly AC-3 downmix Pro Logic backwards compatibility) to the Miramax intro as well so it matches the core mixing and sound signature of the SRD 5.0 track. The phase shift (not to be confused w/ AC-3 bitstream flag/processing 90 degree phase shift for the surrounds) was done on earlier AC-3 5.0/5.1 so that the same mix stems could be used and be optimally formatted to feed an MP Matrix encoder for creating the analog surround SR track and for on the fly Lt/Rt downmix compatibility as well for eventual consumer playback on LD/DVD. It's also only heard during on fly Lt/Rt playback via stereo speakers and not when bitstreaming the full 5.0 digital over a surround system. It does provide for a very nice unintentional headphone listening surround effect with a strong center image and L-R ambience on the sides. The main DD+ 5.1 studio enhanced 5.0 mix doesn't have the phase shift and thus is a better candidate for pure Lo/Ro 2-channel playback via computer speakers or 2 channel home theater playback.
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Release Notes :
- Collector's Edition AVC Encoded BD50 Remux source (26GB); DVD For original SRD 5.0 audio
- CRF16.2 encoded for quality and decoded via AVS pipe, no degrain or denoising of any kind done; original 1.85:1 aka Flat Widescreen Aspect Ratio
- Studio lossless 5.0 audio encoded to DD+ 5.1 1280kbp/s primarily for the epic soundtrack on film; custom LFE via use of subtle subharmonic generation (not LPF'd)
- Original Dolby SRD 5.0 from NTSC DVD; synced/filtered/quantized and reauthored to '96 35mm AC-3 formatting and w/ improved perceptual quality thanks to filtering
- Commentary by director, cast and crew on track 3 encoded down to HE-AAC w/ proper Fraunhofer FDK encoder; same Comm track from Criterion LaserDisc
- DD+ audio authored w/ Surcode's excellent digital delivery DD+ encoder; vintage '99 spec AC-3 pro encoder for accurate SRD; PT DAW, plugins and hardware for processing
- SDH and non-SDH subs manually OCR'd to plain text SRT/UTF-8 for max compatibility on all players hardware/software alike
- Named chapters from NTSC DVD Menu, aligned to equivalent points on BD, made a few minor additions and ensured of proper scene/seeking to encode
- MKV tagged w/ Title (Year) and IMDB/TMDB database IDs as always for enhanced detection by media library scrappers for users that use Plex, Kodi etc.
- Enjoy!
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Screenshots :
Had this one done for awhile but forgot to upload it! One of my all time favorites with an absolutely incredible soundtrack and fascinating commentary as well.
Enjoy Friends,
WiLDCAT
